Oil On Canvas, Real Flavor of Old Masters

All jean-Baptiste-Simeon Chardin 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
29501  
A  Lean Diet with Cooking Utensils, jean-Baptiste-Simeon Chardin
 
 A Lean Diet with Cooking Utensils   1731 Oil on canvas, 33 x 41 cm
29498  
Game Still-Life with Hunting Dog, jean-Baptiste-Simeon Chardin
 
 Game Still-Life with Hunting Dog   c. 1730 Oil on canvas, 172 x 139 cm
30610  
Grace Before Dinner, jean-Baptiste-Simeon Chardin
 
 Grace Before Dinner   mk68 Oil on canvas Saint Petersburg,State Hermitage Museum 1744 France
56516  
jean baptiste simeon chardin, jean-Baptiste-Simeon Chardin
 
 jean baptiste simeon chardin   mk248 den ena av ett par den andra var le buffet som cbardin lamnade till franska konstademin da nicolas de largilliere upptackt bonom bland andra boppfulla ungdomar pa salon de feunesse. folk bade trott att dukarna var flamlandska stilleben ocb de ansags sa bra att de genat gick vidare som cbardins diplomerade arbeten.
29514  
La Brioche, jean-Baptiste-Simeon Chardin
 
 La Brioche   1763 Oil on canvas, 47 x 56 cm
29496  
Return from the Market, jean-Baptiste-Simeon Chardin
 
 Return from the Market   1739 Oil on canvas
26946  
Self-Portrait, jean-Baptiste-Simeon Chardin
 
 Self-Portrait   mk52 1771 Pastel on paper 46x37.5cm Cabinet des Dessins,Louvre,Paris
30627  
Still Life, jean-Baptiste-Simeon Chardin
 
 Still Life   mk68 Oil on canvas Paris,Louvre 1763 France
86754  
Still Life with Glass Flask and Fruit, jean-Baptiste-Simeon Chardin
 
 Still Life with Glass Flask and Fruit   c. 1750 Medium Oil on canvas cjr
29510  
Still-Life with Dead Pheasant and Hunting Bag, jean-Baptiste-Simeon Chardin
 
 Still-Life with Dead Pheasant and Hunting Bag   1760 Oil on canvas, 72 x 58 cm
29513  
Still-Life with Jar of Olives, jean-Baptiste-Simeon Chardin
 
 Still-Life with Jar of Olives   1760 Oil on canvas, 71 x 98 cm
29516  
Still-Life with Pipe an Jug, jean-Baptiste-Simeon Chardin
 
 Still-Life with Pipe an Jug   c. 1737 Oil on canvas, 32,5 x 40 cm
90205  
Stilleben, jean-Baptiste-Simeon Chardin
 
 Stilleben   2nd third of 18th century Medium oil on canvas Dimensions 52,5 x 112 cm cjr
88643  
Stilleben mit Brioche, jean-Baptiste-Simeon Chardin
 
 Stilleben mit Brioche   1763(1763) Medium Oil on canvas Dimensions Deutsch: 47 x 56 cm cjr
30628  
The Brioche, jean-Baptiste-Simeon Chardin
 
 The Brioche   mk68 Oil on canvas Paris,Louvre 1763 France
29494  
The Buffet, jean-Baptiste-Simeon Chardin
 
 The Buffet   1728 Oil on canvas, 194 x 129 cm
29505  
The Canary, jean-Baptiste-Simeon Chardin
 
 The Canary   1750-51 Oil on canvas, 50 x 43 cm
29502  
The Copper Drinking Fountain, jean-Baptiste-Simeon Chardin
 
 The Copper Drinking Fountain   c. 1734 Oil on wood, 28,5 x 23 cm
29511  
The Draughtsman, jean-Baptiste-Simeon Chardin
 
 The Draughtsman   1737 Oil on canvas, 81 x 64 cm
29500  
The House of Cards, jean-Baptiste-Simeon Chardin
 
 The House of Cards   1740 Oil on canvas, 82 x 66 cm
29504  
The Prayer before Meal, jean-Baptiste-Simeon Chardin
 
 The Prayer before Meal   1744 Oil on canvas, 50 x 38,5 cm
31313  
The Silver Goblet, jean-Baptiste-Simeon Chardin
 
 The Silver Goblet   nn07 Oil on canvas 13 x 16 1/4" (33 x 41 cm) Musee du Louvre, Paris
29497  
The Silver Tureen, jean-Baptiste-Simeon Chardin
 
 The Silver Tureen   c. 1728 Oil on canvas, 76,2 x 108 cm
29492  
The Soap Bubble, jean-Baptiste-Simeon Chardin
 
 The Soap Bubble   c. 1739 Oil on canvas, 61 x 63 cm
29267  
The Washerwoman, jean-Baptiste-Simeon Chardin
 
 The Washerwoman   mk65 Oil on canvas 15x17"
29507  
The Young Schoolmistress, jean-Baptiste-Simeon Chardin
 
 The Young Schoolmistress   c. 1736 Oil on canvas, 61,5 x 66,5 cm
29509  
Water Glass and Jug, jean-Baptiste-Simeon Chardin
 
 Water Glass and Jug   c. 1760 Oil on canvas, 32,5 x 41 cm
28997  
Young Girl with a Shuttlecock, jean-Baptiste-Simeon Chardin
 
 Young Girl with a Shuttlecock   mk65 Oil on canvas 32 5/16x26in Uffizi,Gallery

jean-Baptiste-Simeon Chardin
1699-1779 was an 18th-century French painter. He is considered a master of still life.Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre.Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731.He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicholas Coypel, and in 1724 became a master in the Academie de Saint-Luc. Upon presentation of The Ray in 1728, he was admitted to the Academie Royale de Peinture et de Sculpture. The following year he ceded his position in the Academie de Saint-Luc. In November of 1731 his son Jean-Pierre was baptized, and a daughter, Marguerite-Agn's, was baptized in 1733. In 1735 his wife Marguerite died, and within two years Marguerite-Agn's had died as well.Beginning in 1737 Chardin exhibited regularly at the Salon. He would prove to be a 'dedicated academician', regularly attending meetings for fifty years, and functioning successively as counsellor, treasurer, and secretary, overseeing in 1761 the installation of Salon exhibitions. In 1744 he entered his second marriage, this time to Françoise-Marguerite Pouget. The following year a daughter, Angelique-Françoise, was born, but she died in 1746. In 1752 Chardin was granted a pension of 500 livres by Louis XV. At the Salon of 1759 he exhibited nine paintings; it was the first Salon to be commented upon by Denis Diderot, who would prove to be a great admirer and public champion of Chardin's work.Beginning in 1761, his responsibilities on behalf of the Salon, simultaneously arranging the exhibitions and acting as treasurer, resulted in a diminution of productivity in painting, and the showing of 'replicas' of previous works.In 1763 his services to the Academie were acknowledged with an extra 200 livres in pension. In 1765 he was unanimously elected associate member of the Academie des Sciences, Belles-Lettres et Arts of Rouen, but there is no evidence that he left Paris to accept the honor.By 1770 Chardin was the 'Premiere peintre du roi', and his pension of 1,400 livres was the highest in the Academy.In 1772 Chardin's son,



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